The imagery of this work of art presents a focus on the calm feeling of a misty maritime scene. Currently, Impression, Sunrise is located in the Musée Marmottan in Paris, France. Although this oil painting was disparaged during the time of its creation, today it is viewed as an austere example of the mindset and purpose behind Impressionism. In the April issue of Le Charivari, a critic named Louis Leroy judgmentally entitled his article “Exhibition of the Impressionists,” thereby coining the term inspired by the title of Monet’s work Impression, Sunrise. When the painting was first shown to the public in the L’Exposition des Révoltés-an exhibition independent of the Salon that was organized by Monet, Bazille, Pissarro, and their friends-many critics were extremely disapproving of the rebel group’s work, especially that of Monet. The most significant aspect of the painting is its credit with giving the Impressionist Movement its name. Widely regarded as Monet’s single most famous painting, Impression, Sunrise was completed during the late nineteenth century in 1872. While Impression, Sunrise and Monet’s artistic technique fell under harsh criticism at their outset, Monet’s masterpiece gave birth to a new movement and created a revolution in the world of art. This act of expressing an individual’s perception of nature was a key characteristic and goal of Impressionist art, and is a common motif found in Monet’s paintings. Unlike other artworks of the time, the subject matter and specific painting techniques evident in Impression, Sunrise seek to transcribe the feelings initiated by a scene rather than simply rendering the details of a particular landscape. This renowned work of art which illustrates a view of the port of Le Havre in north-western France is considered to be one of Monet’s “most poetic expressions” of his engagement with France’s revitalization efforts after the Franco-Prussian War. Once called an abstract piece of unfinished work by critics, over one-hundred years later, Monet’s work Impression, Sunrise is part of a historic art movement, and Monet helped to make a name for the Impressionistic artists as well.Throughout the years, Claude Monet’s Impression, Sunrise has been celebrated as the quintessential symbol of the Impressionist Movement. The viewer almost feels that he is looking out the same window that Monet did that Spring morning. This accurate reproduction of Monet’s impression, and resulting mood of atmospheric conditions dominate, and limit the importance of great detail. This supports Monet’s mastery of depicting light effects on scenes which he painted. The ships’ masts are sometimes disrupted by the rippling water, as the silhouettes of the boats seem to be disappearing into the mist.Īn interesting observation about this painting is that although the sun seems to be much brighter than the rest of the scene, if viewed removing all color, the sun almost disappears. The abbreviated, darker brushstrokes in the water, create motion, and ripples, while hints of orange and yellow appear as a reflection of the sunrise in the harbor water. Because it was a very misty morning on the harbor, the clouds are colored by the rising sun, in the dense mist, and the boats take shape, without great definition. In this Monet painting, the sun is placed against the dawn sky, with orange and blue-violet contrast. Because Monet did not feel that there was enough detail to title the painting Harbor of LeHavre, the name Impression, Sunrise was given, and Monet titled most of his paintings with “Impression” for this reason. Monet’s quick sketches, or pochade, capture a particular light effect, therefore are very spontaneous. While on vacation, Impression, Sunrise was sketched, while Monet was looking out his window one spring morning. It characterizes Monet’s work throughout his lifetime, and is sketched in oil paints on canvas, and executed quickly, to capture the atmospheric or natural light moment. The scene painted in this Monet painting was of the harbor of LeHavre, in France. Little did he know, Impression, Sunrise would become the name of a historical art movement. Monet originally named the painting Marina, but changed the title to Impression, Sunrise (Impression, Soleil Levant) for the 1874 Exhibition catalog listing. Shapes are formed by how the colors of the scene are detected, forming pictures naturally. Impressionists paint colors perceived with natural light, with little importance given to details. The great French artist, Claude Monet, was responsible for introducing the idea of impression to the art movement of those who painted what they perceived at a certain point in time.
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